Krishna Supporting Mount Govardhana-Stone-Hoysala Period
KRISHNA SUPPORTING MOUNT GOVARDHANA
Title : Krishna Supporting Mount Govardhana
Medium : Stone
Date : Hoysala Period
Finding Site : Belur
Size : 3 ft
Artist : Unknown
GENERAL DESCRIPTION
Temple architectures were one of the important activities during Hoysala period.
Besides the elaborate temple architectures, each temple of this period was decorated with sculptures, which formed an intrinsic part of the architecture.
The Hoysala
style is named after one of the famous dynasties of the Deccan, which emerged
around the middle of the eleventh century and is generally considered to have come
to an end in the mid fourteenth century.
The capital of the Hoysala kings was
Dvarasamudra, the modern Halebid. Hoysala style is unique in its own way and
is highly characterized. The earliest major Hoysala temples are at Belur.
Hoysala
sculptures show deep carving and undercutting, soft rhythms of the body contours,
Deep carving and undercutting is facilitated by the
soft stone. It gives the rich surface texture and is responsible for the intricate and
This Krishna Sculpture is one of the best examples of the delicate
The
obvious placement of Krishna as the central figure with human beings and cattle in
different layers present an interesting way of narration.
shown in a heroic form, his stance of standing and the rhythmic limbs bring softness
in the whole composition.
Very interesting to notice is the liveliness of the animal
figures. With heavy breasts and buttocks, elaborate jewelleries, typical Indian hairstyle, this composition is an example of typical Hoysala period style, where the
Ornaments Worn by Sri Krishna
One of most crucial component of Hoysala Architecture is their Ornamentation, in fact they are kind of experts on it.Now we will look into the Ornaments Worn by Sri Krishna in the above Panel.
One of most crucial component of Hoysala Architecture is their Ornamentation, in fact they are kind of experts on it.Now we will look into the Ornaments Worn by Sri Krishna in the above Panel.
- Ear - Karna Kundala
- Throat - Kanta Haara
- Upper Curve of the Arm - Bhuja Kirti
- Arm band - Keyura or Bahu Bandha
- Bracelets - Kankana
- Chest - Vaksha Haara
- Crossed Girdle - Chchannavira (Shoulder)
- Chest - Yajnopavita (Cross-Thread)
- Long Girdle Beyond Knee - Vaijayanti
- Girdle at Waist - Kati Bhanda
- Tassels over Pitambhara - Mekhala
- Anklets - Kadaga
- Chains at Feet - Nupura (With Jinglings)
- Chains at Feet - Painjani (Without Jinglings)
- Toe and Finger Rings - Unguliyaka
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Author: unknown
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History of art in India
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To be continue
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