Bride's toilet old age painting must look - shreelimn arts

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                 Amrita Sher-Gil
A work of modernism,the painting draws influence from the frescoes of Ajanta and the miniatures of Mughal art, thereby resulting in a masterful amalgam of Indian and European styles. Part of Sher-Gil's well known South Indian trilogy, comprising also Brahmacharis and South Indian Villagers Going to Market,Bride's Toilet explores the simplicity and uniqueness of rural life, a recurring subject in her later paintings. When Sher-Gil returned to India in 1934, her approach towards art changed significantly. A number of later artworks revolved around the poor and the underprivileged, the commonfolk and their struggles.

Bride's Toilet depicts a bride's chamber, wherein a young light-skinned woman, presumably the titular bride, is seated. She is half-naked; her palms are covered in mehndi. She is surrounded by two other women and two children. One of the women is dressing her hair, and the other is holding a container. Their faces are expressionless. The painting employs a rich, colourful palette. Tones have been skilfully used. The painting demonstrates Sher-Gil's curious interest in women, their lives and adversities.

The painting was one of 33 of Sher-Gil's works displayed at her solo exhibition at Faletti's Hotel in Lahore, British India, held from 21 to 27 November 1937.

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